Ethnomusicology

Produced by JVC in collaboration with a Smithsonian/Folkways Recordings and Multicultural Media, The JVC Video Anthology of World Music and Dance is a 30 volume DVD set, with nine accompanying booklets, containing over 500 performances from 100 countries.

World Regions: Africa--Caribbean--Central America--Central Asia--East Asia--Europe--Middle East/West Asia--North America--Oceania--South America--Southeast Asia

Since its initial publication in 1980, the Dictionary has been widely acclaimed as an indispensable resource and a classic reference. The word "updated" doesn't begin to describe the thousands of new articles, topics, cross-references, and areas of scholarship incorporated into The New Grove II. Every one of the first edition's 22,500 articles has been reviewed and revised, with thousands of articles expanded. Previously neglected or under-represented areas have been examined, explored, and explained. Movements and topics once deemed too controversial or too far from the mainstream have been added. And throughout, 6,500 new articles cover more than 5,000 years of music history, instruments, composers, institutions, performers, genres, and more. The New Grove II takes you beyond the customary and familiar into new worlds with extensive, authoritative contributions on non-Western music. From major influences, such as Latin American music, to less-examined contributions, such as Asian, sub-Saharan African, and Pacific Islander, The New Grove II presents the music, theory, instruments, and musicians that have helped to define music around the world.

Excursions in World Music is a comprehensive introductory textbook to world music, creating a panoramic experience for students by engaging the many cultures around the globe and highlighting the sheer diversity to be experienced in the world of music. At the same time, the text illustrates the often profound ways through which a deeper exploration of these many different communities can reveal overlaps, shared horizons, and common concerns in spite of and, because of, this very diversity. The new seventh edition introduces five brand new chapters, including chapters by three new contributors on the Middle East, South Asia, and Korea, as well as a new chapter on Latin America along with a new introduction written by Timothy Rommen. General updates have been made to other chapters, replacing visuals and updating charts/statistics. Excursions in World Music remains a favorite among ethnomusicologists who want students to explore the in-depth knowledge and scholarship that animates regional studies of world music.

Listen to and appreciate music of different cultures with MUSIC OF THE PEOPLES OF THE WORLD! Stunning illustrations help you to better understand the people, music, and the instruments of the nine musical cultures discussed. Active Listening Tools, a free download from the text specific website, enhances listening and understanding by allowing you to view instruments and cultural settings while you listen to musical excerpts.

Music doesn't stop at the border, and neither should your textbook. This text gives students a global sense of music and its significance across cultures by introducing them to a diverse repertoire and developing listening skills applicable to all music. An accessible three-part model for listening--sound, setting, and significance--facilitates comparisons of various musical styles and meanings, and with Total Access, Soundscapes provides the digital resources students need to discover new music in a digitally connected world.

The second edition of "World Music: A Global Journey" introduces students to the diversity of musical expression around the world. It takes the reader across the globe to experience cultural traditions that challenge the ear, the mind, and the spirit. It presents a systematic study of varied traditions in a non-technical language accessible to any enthusiast of world music and culture. The second edition continues with its geographical orientation to each locale, and visits each of the seventy musical "sites" with a three-fold listening review that begins with an experiential "first impression" of the music. This is followed by an "aural analysis" of the musical organization and a closer look at the interesting instruments that create the exotic sounds heard. Finally, the authors consider the cultural connections that give the music its meaning.

From American rap and British Invasion rock to Balinese gamelan and Indian raga, this exciting new text takes students on a journey through the diverse musical cultures and traditions of the world. With a clear and accessible presentation style and lively and engaging writing, it is an ideal introduction to World Music for both majors and non-majors alike.

An exciting introduction to the diversity of musical cultures including Africa, North and South America, Eastern Europe, India, Indonesia, and Japan, this text conveys the fascination and the excitement associated with ethnomusicology through in-depth case studies written by those who have studied these cultures firsthand. Readers are introduced to the performers and learn the variations in style and opinion that make each culture's music vibrant and alive. The authors provide an understanding of each culture and its music, as well as an explanation of the theory and practice of ethnomusicology.

Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture.

Narrative driven, providing background and context on the music of 70 countries and regions, ranging from salsa to soukous, cajun to calypso, rai to qawwali. Set up in regional chapters. Each explanatory chapter is followed by a discography, with very short reviews of what the editors consider the very best music in the category. Various musicians are spotlighted in sidebars.

Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history.

This book is a one-stop reference resource for the vast variety of musical expressions of the First Peoples' cultures of North America, both past and present. "Encyclopedia of Native American Music of North America" documents the surprisingly varied musical practices among North America's First Peoples, both historically and in the modern context. It supplies a detailed yet accessible and approachable overview of the substantial contributions and influence of First Peoples that can be appreciated by both native and nonnative audiences, regardless of their familiarity with musical theory. The entries address how ethnomusicologists with Native American heritage are revolutionizing approaches to the discipline, and showcase how musicians with First Peoples' heritage are influencing modern musical forms including native flute, orchestral string playing, gospel, and hip hop. The work represents a much-needed academic study of First Peoples' musical cultures--a subject that is of growing interest to Native Americans as well as nonnative students and readers.

This book opens up the world of Native American music. In addition to the widely heard sounds of Carlos Nakai's flute, Native music embraces a wide range of forms: country and folk, jazz and swing, reggae and rap. Brian Wright-McLeod, producer/host of Canada's longest-running Native radio program, has gathered the musicians and their music into this comprehensive reference, an authoritative source for biographies and discographies of hundreds of Native artists. "The Encyclopedia of Native Music" recognizes the multifaceted contributions made by Native recording artists by tracing the history of their commercially released music. With almost 1,800 entries spanning more than 100 years, this book leads readers from early performers of traditional songs like William Horncloud to artists of the new millennium such as Zotigh. Along the way, it includes entries for jazz and blues artists never widely acknowledged for their Native roots--Oscar Pettiford, Mildred Bailey, and Keely Smith--and traces the recording histories of contemporary performers like Rita Coolidge and Jimmy Carl Black, "the Indian of the group" in the original Mothers of Invention. It also includes film soundtracks and compilation albums that have been instrumental in bringing many artists to popular attention. In addition to music, it lists spoken-word recordings, including audio books, comedy, interviews, poetry, and more. With this unprecedented breadth of coverage and extensively cross-referenced, "The Encyclopedia of Native Music" is an essential guide for enthusiasts and collectors.

2nd ed. This book is a definitive chronicle of the history of Hawaiian music, the people who made it, and the footprints they left in the sands of Hawai'i. Here John Beger finishes what George S. Kanahele started years ago and brings closure to his spectacular legacy as a Hawaiian historian, scholar and author.

"A Blues Bibliography, Second Edition" is a revised and enlarged version of the definitive blues bibliography first published in 1999. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. "a Blues Bibliography" is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.