Music Exhibits at the Lucille Caudill Little Fine Arts & Design Library: Springsteen: Deliver Me from Nowhere

"American Lonesome: The Work of Bruce Springsteen" begins with a visit to the Jersey Shore and ends with a meditation on the international legacy of Springsteen's writing, music, and performances. Gavin Cologne-Brookes's innovative study of this popular musician and his position in American culture blends scholarship with personal reflection, providing both an academic examination of Springsteen's work and a moving account of how it offers a way out of emotional solitude and the potential lonesomeness of modern life. Cologne-Brookes proposes that the American philosophical tradition of pragmatism, which assesses the value of ideas and arguments based on their practical applications, provides a lens for understanding the diversity of perspectives and emotions encountered in Springsteen's songs and performances. Drawing on pragmatist philosophy from William James to Richard Rorty, Cologne-Brookes examines Springsteen's formative environment and outsider psychology, arguing that the artist's confessed tendency toward a self-reliant isolation creates a tension in his work between lonesomeness and community. He considers Springsteen's portrayals of solitude in relation to classic and contemporary American writers, from Frederick Douglass, Nathaniel Hawthorne, and Emily Dickinson to Richard Wright, Flannery O'Connor, and Joyce Carol Oates. As part of this critique, he discusses the difference between escapist and pragmatic romanticism, the notion of multiple selves as played out both in Springsteen's work and in our perception of him, and the impact of performances both recorded and live. By drawing on his own experiences seeing Springsteen perform, including on tours showcasing the album "The River" in 1981 and 2016, Cologne-Brookes creates a book about the intimate relationship between art and everyday life. Blending research, cultural knowledge, and creative thinking, "American Lonesome" dissolves any imagined barriers between the study of a songwriter, literary criticism, and personal testimony.

Exposing the depth of two major artists' philosophies, creative visions, stylistic tendencies, and contributions to their craft, this unprecedented comparative analysis synthesizes biographical material, critical interpretation, and selected exemplars of the writers' work. Smith reinterprets their work in a new and fascinating light, presenting Dylan as a songwriter of enigmatic wordplay and Springsteen as the melodramatic narrator of a specific community's life struggles. Both songwriters have had unique responses to the celebrity singer/songwriter tradition begun by Woody Guthrie. Smith reveals the power of authorship and the creative drive necessary to negotiate an artistic vision through the complicated mechanisms of the world of commercial art. Both have discovered their own means of traveling this difficult terrain, and Smith probes their lives and work to reveal the myriad ways in which two distinct, equally significant artists have learned from and contributed to an ongoing and important American musical tradition.

This interdisciplinary volume enters the scholarly conversation about Bruce Springsteen at the moment when he has reinforced his status of global superstar and achieved the status of social critic. Covering musical and cultural developments, chapters primarily consider work Springsteen has released since 9/11--that is, released during a period of continued global unrest, economic upheaval, and social change--under the headings "Politics, Fear and Society;" "Gender and Sexual Identity;" and "Toward a Rhetoric of Springsteen." The collection engages Springsteen and popular music as his contemporary work is just beginning to be understood in terms of its impact on popular culture and music, applying new areas of inquiry to Springsteen and putting Springsteen fan writing within the same binding as academic writing to show how together they create a more nuanced understanding of an artist. Established and emerging Springsteen scholars approach work from disciplines including rhetoric and composition, historical musicology, labor studies, American history, literature, communications, sociology, theology, and government. Offering context, critique, and expansive understanding of Springsteen and his work, this book contributes to Springsteen scholarship and the study of popular music by showing Springsteen's broadening academic appeal as well as his escalating legacy on new musicians, social consciousness, and contemporary culture.

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, "Nowhere to run. Nowhere to go." It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength-building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff-it was clear that the singer was ready to make a stand.

The fascinating story behind the making of Bruce Springsteen's most surprising album, "Nebraska." revealing its pivotal role in Springsteen's career. Without "Nebraska," Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen's hugely successful album "The River "should have been the hit-packed "Born in the U.S.A." But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, "Nebraska" is arguably Springsteen's most important record--the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself. "Nebraska" is rough and unfinished, recorded on cassette tape with a simple four-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. "Nebraska" expressed a turmoil that was reflective of the mood of the country, but it was also a symptom of trouble in the artist's life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album's release. Warren Zanes spoke to many people involved with making "Nebraska," including Bruce Springsteen himself. He also interviewed more than a dozen celebrated artists and musical insiders, from Rosanne Cash to Steven Van Zandt, about their reactions to the album. Zanes interweaves these conversations with inquiries into the myriad cultural touchpoints, including Terrence Malick's "Badlands" and the short stories of Flannery O'Conner, that influenced Springsteen as he was writing the album's haunting songs. The result is a textured and revelatory account of not only a crucial moment in the career of an icon but also a record that upended all expectations and predicted a home-recording revolution.

Bruce Springsteen might be the quintessential American rock musician but his songs have resonated with fans from all walks of life and from all over the world. This unique collection features reflections from a diverse array of writers who explain what Springsteen means to them and describe how they have been moved, shaped, and challenged by his music. Contributors to Long Walk Home include novelists like Richard Russo, rock critics like Greil Marcus and Gillian Gaar, and other noted Springsteen scholars and fans such as A. O. Scott, Peter Ames Carlin, and Paul Muldoon. They reveal how Springsteen's albums served as the soundtrack to their lives while also exploring the meaning of his music and the lessons it offers its listeners. The stories in this collection range from the tale of how "Growin' Up" helped a lonely Indian girl adjust to life in the American South to the saga of a group of young Australians who turned to "Born to Run" to cope with their country's 1975 constitutional crisis. These essays examine the big questions at the heart of Springsteen's music, demonstrating the ways his songs have resonated for millions of listeners for nearly five decades. Commemorating the Boss's seventieth birthday, "Long Walk Home" explores Springsteen's legacy and provides a stirring set of testimonials that illustrate why his music matters.

"Reading the Boss: Interdisciplinary Approaches to the Works of Bruce Springsteen," edited by Roxanne Harde and Irwin Streight, draws together close readings of Bruce Springsteen's lyrics by scholars across a range of academic disciplines. The editors first make a compelling comparison between Bruce Springsteen and William Shakespeare, carefully building the argument that both men offer profound insight into the hungry human heart. Springsteen, they argue, uses many Shakespearean themes such as the ties of blood and friendship, commitment to country and community, the monsters of lust and jealousy, vanity and power, and the hopeful pursuit of real love. These themes lift his music beyond stories of characters casing the Promised Land of America to universal matters of the heart's truth wherever it is found. Then, the twelve chapters of Reading the Boss, written by established and emerging scholars, engage readers both critically and enthusiastically with central issues in Bruce Springsteen's writing, as they read his explorations of gender, place, religion, philosophy, and other literary texts, notably the works of Walker Percy and Flannery O'Connor. Driven by arguments grounded in a wide variety of theoretical and critical positions, these essays offer a comprehensive and accessible discussion of Springsteen's oeuvre, from Greetings From Asbury Park, N.J. to Working on a Dream that will appeal to both specialist readers and Springsteen fans alike.

A catalog nearly fifty years in the making, Bruce Springsteen's music remains popular and a frequent subject of study yet little critical attention has been given to its inclusion in film and television. This book examines a selection of films and TV shows from the 1980s to the present--including "Mask," "High Fidelity," "The Sopranos" and "The Wrestler"--that feature Springsteen's music on the soundtrack. Relating his thematic preoccupations with religion, the Vietnam War, the promise of the open road, economic disparity and blue-collar malaise, his songs color narrative and articulate the inner lives of characters. This book explores the many on-screen contexts of Springsteen's work from "Greetings from Asbury Park, N.J." to "Springsteen on Broadway."

Bruce Springsteen's career has been covered many times over, yet many of the complexities and apparent contradictions of his music remain unresolved. Rob Kirkpatrick provides a comprehensive and coherent look at the work of this thoroughly complex and persistently captivating artist. After a brief biographical treatment, Kirkpatrick considers all of Springsteen's significant albums in chronological order. These include "Born to Run," which was voted the most popular album of all time in a recently published Zagat survey; "Born in the U.S.A.," which sold more than 20 million copies; and "The Rising," regarded by many as the most poignant artistic reaction to 9/11. In addition to a probing musical analysis, the book offers a guide to Springsteen's lyrical themes and motifs, allowing readers insight into the complicated nature of the artist's underlying concerns, influences, and ideas. Rounding out the volume is a consideration of The Boss's legacy as a songwriter and musician, as well as appendices including a bibliography and a complete discography. In sum, The Words and Music of Bruce Springsteen provides a comprehensive and coherent look, previously unavailable in a single volume, at the work of a thoroughly complex and persistently captivating artist.

Filled with provocative analysis of Springsteen's best known hits and his most obscure songs, comparisons to other important works of American culture-ranging from The Sopranos to Edward Hopper-and a wealth of information about the last fifty years of American politics, culture, and society, "Working On a Dream" is a powerful and engaging study of this songwriter and performer's art. David Masciotra shows how Springsteen's music darkly comments on the increased isolation of Americans, and calls for a return to community living and values, based on compassion, empathy, and tolerance. He illustrates how Springsteen has forced listeners to wrestle with the facts of rising poverty rates in the world's richest nation, of wars with questionable justification, and of the continued mistreatment of racial minorities, arguing that Springsteen does this by emphasizing the suffering that everyday people - usually ignored in mainline political discussions - endure on a daily basis. By using Springsteen's life and music to shine a light on the dark recesses of America's most important political and social trials and conflicts - race, religion, and working class hardship - "Working on a Dream" connects readers with the power, purpose, and promise of Springsteen's extraordinary and enduring music.

This thoroughly revised third edition of Allan F. Moore's ground-breaking book, now co-authored with Remy Martin, incorporates new material on rock music theory, style change and the hermeneutic method developed in Moore's "Song Means" (2012). An even larger array of musicians is discussed, bringing the book right into the 21st century. Rock's "primary text," its sounds, is the focus of attention here. The authors argue for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock, punk rock, metal and subsequent styles. They also explore the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. "Rock: The Primary Text" remains innovative in its exploration of an aesthetics of rock.

The social force of rock and roll music leaps off the page as Paul Friedlander provides impressive insights based on hits from "Johnny B. Goode" to "Walk on the Wild Side" and beyond. In this musical journey, he offers the melodious strains and hard-edged riffs of Elvis Presley, the Beatles, the Who, Dylan, Clapton, Doo-Wop, Motown, the San Francisco Beat, New Wave, rap, and much more. The book is written in a refreshing, captivating style that pulls the reader in, offering no less than a complete social and cultural history of rock and roll for students and general audiences alike. Friedlander writes, "This book chronicles the first thirty years of rock/pop music history. Picture the various musical styles as locations on a giant unfolding road map. As you open the map, you travel from place to place, stopping at each chapter to sample the artistry. Take in the tales, pictures, sounds, and feelings of each location; remember the people you met there. Don't forget to dress your imagination appropriately for this trip, because each genre is affected by the societal topography and climate that surround it." Enjoy your trip. We promise it will be a good one!

This eclectic compilation of readings tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. This third edition includes new readings across the volume, with added material on the early origins of rock 'n' roll as well as coverage of recent developments, including the changing shape of the music industry in the twenty-first century. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, "The Rock History Reader" continues to appeal to scholars and students from a variety of disciplines. Featuring readings as loud, vibrant, and colorful as rock 'n' roll itself, "The Rock History Reader" is sure to leave readers informed, inspired, and perhaps even infuriated--but never bored.

Contents: Blinded by the light, Born to run, Night, Kitty's back, It's hard to be a saint in the city, Thunder road, Rosalita (Come out tonight), Incident on 57th Street, Spirit in the night, Tenth Avenue freeze-out, She's the one, Meeting across the river, Jungleland, Growin' up, Fourth of July (Sandy), Backstreets.