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A history of Kentucky's poets laureate since 1926. Contains works by J.T. Cotton Noe, Edward Gay Hill, Louise Scott Phillips, Edwin Carlisle Litsey, Jesse Hilton Stuart, Lowell Allen Williams, Lillian D. Chaffin, Senator Tom Mobley, Agnes Todd Saffell O'Rear, Clarence "Soc" Henry Clay, Lee Pennington, Paul Salyers, Dale Faughn, Jim Wayne Miller, Henry E. Pilkenton, James H. Patton, James Still, Joy Bale Boone, Richard Lawrence Taylor, James Baker Hall and Joe Survant.

When Dawn O'Reilly's father leaves to fight in the Civil War, she must maintain the family's Kentucky home and tobacco plantation herself. Through strength, courage, and ingenuity, she survives the hardships of war to find love with a dashing riverboat captain from Memphis.

Abduction of Brandy DeClure is an exciting yet terrifying tale of a young girl who is abducted in Paris and brought to the new, raw land of New Orleans.  Here women are as scarce as hen's teeth and men are clamoring for wives or mistresses. Brandy is taken to Madam Violet's brothel in the heart of New Orleans' French Quarter in Louisiana.
Available on Amazon.com

Forty-one individuals, from seventeen different tribes, representing eleven nations, tell their stories in Always a People. As descendants of people who shaped the history of the North American continent from the Atlantic Ocean to the Great Lakes, the narrators herein continue to feel closely bound to the land from which most of them have been forcibly removed. The eleven nations represented in this volume are the Miami, Potawatomi, Delaware, Shawnee, Peoria, Oneida, Ottawa, Winnebago, Sac and Fox, Chippewa, and Kickapoo. All of the people interviewed here have a very deep and abiding commitment to their families and speak of great-great grandparents as intimately as they do of their parents. All see themselves as real people who do not fit the stereotypes often associated with native Americans. All speak of the urgency for making room for multiple voices drawn from many traditions. First published in 1997.

Don't Go Up Kettle Creek is a historical portrayal of a river and the people who made their living along its banks and tributaries. Drawing upon the personal recollections and oral traditions of longtime residents, William Lynwood Montell describes a century and a half of life in the Upper Cumberland. Montell organized his material according to the topics that dominated his tape-recorded conversations with residents of the area-farming, logging and rafting, steamboating, the Civil War-topics that the people themselves saw as important in their history. In reconstructing the past, the author also illuminates the relationship between geographic and economic factors in the region; the prolonged affects of a cataclysmic event, the Civil War, on the isolated area; and the impact of modernization, in the form of "hard" roads and cheap, TVA-supplied electricity, on the traditional ways of people. First published in 1983, this book is now available in paperback for the first time. Included with this edition is a new foreword in which Montell and Mary Robbins, executive director of the Tennessee Upper Cumberland Tourism Association, describe changes in the area that have occurred since the book's initial appearance. The Author: William Lynwood Montell, now retired, was coordinator of programs in folk and intercultural studies at Western Kentucky University. His numerous books include Ghosts along the Cumberland and The Saga of Coe Ridge.

Discusses how to identify and use oral history, how to test for historical validity and how to produce manuscripts from oral sources. Contents: Toward a fuller historical record; Characteristics and settings of orally communicated history; Identifying and using orally communicated history; Testing oral sources for historical validity; Submerged forms of historical truth; Producing a manuscript from oral sources. First published in 1981.

A concise and amply illustrated introduction to Kentucky folk structures--log cabins, houses, cribs, and barns--that should be treasured as irreplaceable expressions of the cultural values of the Commonwealth's past. First published in 1976.

The "State Line Country" of this book is a rugged area of small farms on the Kentucky-Tennessee border. Historically the area has had a homicide rate more than ten times the national average. In this gripping and penetrating study of violence and death in the State Line Country, Lynwood Montell examines the local historical and social conditions, as well as the prevailing attitudes and values, that gave rise and support to rowdy behavior and homicidal acts from the Civil War to the 1930s. The area fostered, he thinks, a culture of violence. Drawing from vivid oral accounts, which he recorded from present-day residents, Montell describes more than fifty killings that took place in the area, locating them against a background of farming, moonshining, and sawmilling activities common in that country. In addition to reconstructing the homicides, he analyzes their key features, including the circumstances under which they took place, the relationships of the persons involved, the presence of precipitating factors (such as deadly weapons and alcohol) in the culture, and attitudes toward law enforcement officers and the courts. This close examination of homicide in the State Line Country, which views the tradition from regional and national perspectives, adds a significant dimension to the study of homicide in the South. First published in 1986.

Few black groups in the United States carry with them the romance, the gripping history, the pathos, the indestructible spirit of the Coe Ridge colony during the ninety years of its existence. . . . a new and long needed departure in American historiography. . . . This is in every way an impressive book. It contains detailed accounts of the informants, tables of folklore motifs, genealogical charts, a prologue and epilogue explaining authoritatively the hypotheses of oral traditional history, and handsome photographs of the Coe Ridge area.--Richard M. Dorson, Journal of American History. Lynwood Montell has written an invaluable book for all those interested in the use of oral tradition as a tool in the reconstruction of history. . . . This is a book worthy of being on any folklorist's shelf.--Richaed A. Reuss, Journal of American Folklore. First published in 1970.

In Singing the Glory Down, William Lynwood Montell contributes to a fuller understanding of twentieth-century American culture by examining the complex relationships between gospel music and the culture of the nineteen-county study area in which this music has flourished for a hundred years. He has recorded the memories and feelings of those who were young while the movement gathered steam and who remember it at its high point, and stories about those who have passed over that river about which they loved to sing. In the early 1900s, a singing school or gospel convention was a major social event that enticed people to walk for miles to learn to sing or to hear someone who already had. The shape-note teachers of those days conducted days or even weeks of nightly practice, which culminated in a performance that confirmed the teacher's skill. Quartet music originated in these settings. Today, some area quartets still sound much like those early groups; others teach themselves to sing by imitating their favorite professional gospel ensembles.They travel every weekend in buses emblazoned with the names of their groups, with tapes and albums to sell. Through all the changes, the four-part southern harmony of Kentucky gospel music has remained the same. In the words of these performers, through letters, diaries, and interviews, Montell details the attitudes and joys of those involved most deeply in the gospel music scene. He also brings the reader into their personal relationships, their professional jealousies, and their struggles to keep alive the music they love. First published in 1991.

Tucked between Appalachia and the Deep South, the Upper Cumberland region straddles the Kentucky-Tennessee line along the banks of the Cumberland River. Here, dating from the days of the nation's earliest history, is one of America's richest repositories of folklife. Rather than revealing an artifact, however, this comprehensive study of the Upper Cumberland reveals a living tradition whose roots in the past continue to nourish the present. Documented here in descriptive text, photographs, and interviews are varieties of folk cultural expression in music, architecture, crafts, schools, religious life, folk medical practices, and customs surrounding birth, puberty, marriage, and death. Upper Cumberland Country explores the spectrum of folklore from yesterday and today--from pioneer life and early folk architecture to teens "cruising" and women deer hunters. In a region filled with relics, modern voices from the Upper Cumberland speak directly of the living traditions that give the region its unique character. Though rooted in pioneer heritage, the folklife here springs into the present with resonant meanings for contemporary times. First published in 1993.

The nearly 350 humorous, heartwarming, and sometimes tragic accounts presented in William Lynwood Montell's latest book, Tales from Kentucky Doctors, offer an unusual perspective on the culture and tradition of Kentucky health-care practice. From the laughable to the laudable, Tales from Kentucky Doctors present illuminating portraits of doctors and patients, drawing stories from physicians with lifetimes of experience serving Kentucky families. In chapter 2, doctors recall the successes and failures that shaped their early careers. For Dr. Baretta R. Casey of Hazard, becoming a doctor was a difficult journey. Already married and with a child, Casey enrolled in college at age thirty, later completed medical school, and began a successful career as a family practitioner in the 1990s. Though patient visitations and doctors' prescriptions are recorded on account ledgers, personal relationships and memories are not part of medical records. The section "Personal Practice" gives a glimpse of the intimate relationships doctors form with their communities. "I doubt that any individual was nearer to the family than the family doctor," Dr. W. L. Tyler says in one story. For many towns, family physicians were heroes. Dr. James S. Brashear relates the challenges of practicing in Central City, a coal mining town, recalling an incident in which he saved the lives of two miners. Handed down to Montell in the oral tradition, the tales presented in this collection represent every part of the state. Personal experiences, humorous anecdotes, and local legends make it a fascinating panorama of Kentucky physicians and of the communities they served. First published in 2008.

In Tales from Kentucky Funeral Homes, William Lynwood Montell has collected stories and reminiscences from funeral home directors and embalmers across the state. These accounts provide a record of the business of death as it has been practiced in Kentucky over the past fifty years. The collection ranges from tales of old-time burial practices, to stories about funeral customs unique to the African American community, to tales of premonitions, mistakes, and even humorous occurrences. Other stories involve such unusual aspects of the business as snake-handling funerals, mistaken identities, and in-home embalming. Taken together, these firsthand narratives preserve an important aspect of Kentucky social life not likely to be collected elsewhere. Most of these funeral home stories involve the recent history of Kentucky funeral practices, but some descriptive accounts go back to the era when funeral directors used horse-drawn wagons to reach secluded areas. These accounts, including stories about fainting relatives, long-winded preachers, and pallbearers falling into graves, provide significant insights into the pivotal role morticians have played in local life and culture over the years. First published in 2009.

"A woman was sitting on the witness stand, and the lawyer asked her, 'Did you, or did you not, on the night of June 23rd have sex with a hippie on the back of a motorcycle in a peach orchard?' She thought for a few minutes, then said, 'What was that date again?'" - from the book Lawyers have long been known as master storytellers, and those from Kentucky are certainly no exception. Veteran oral historian and folklorist Lynwood Montell has collected tales from dozens of lawyers and judges from throughout the Bluegrass State, ranging from the story about the tough Jackson County judge who fined himself for being late to court to unwelcome dogs in the courtroom. Recorded just as they have been told for generations, these stories are sometimes funny, sometimes sad or frightening, sometimes raw and harrowing, but always remarkable. Far more than collection of lawyer jokes, Tales from Kentucky Lawyers recounts the most insightful, entertaining, and occasionally heartbreaking stories ever told by and about Kentucky lawyers and their clients, covering the spectrum from arson to homicide, domestic disagreements to sexual abuse, and everything in between. Tales from Kentucky Lawyers is a valuable resource for folklorists as well as an entertaining and vivid account of the often-surprising legal world. First published in 2003.

From frontier times to the present day, Kentucky nurses have served with intelligence and energy, always ensuring that their patients received the best available care. Noted folklorist and oral historian William Lynwood Montell collects nearly two hundred stories from these hard-working men and women in Tales from Kentucky Nurses. From humorous anecdotes to spine-chilling coincidences, tragic circumstances, and heartwarming encounters, the tales in this lively volume are recorded exactly as they were told to Montell. Covering medical practice in the state from the early twentieth century through contemporary times, the episodes related in Tales from Kentucky Nurses reveal the significance of the nursing profession to the Bluegrass state's local life and culture. They include funny tales - such as the story of an injured stripper who swore her pole had been sabotaged and an anecdote about a surgeon racing between hospitals who paid his speeding ticket twice, knowing he would have to hurry the other way in a few hours. Montell also presents moving stories like the recollections of a nurse who helped a frail cancer patient achieve his last wish of being baptized. This valuable collection also features anecdotes from the famous Frontier Nursing Service, which provided essential care to families in remote areas of the state and whose leader, Mary Breckinridge, is remembered fondly for her wit and kindness. In addition, Montell's interviewees share ghost stories and describe folk remedies like the practice of placing an axe under a woman's pillow during labor to cut the pain. These firsthand accounts not only pay homage to an underappreciated profession but also preserve important aspects of Kentucky's history not likely to be recorded elsewhere. First published in 2015.

In an educational era defined by large school campuses and overcrowded classrooms, it is easy to overlook the era of one-room schools, when teachers filled every role, including janitor, and provided a family-like atmosphere in which children also learned from one another. In Tales from Kentucky One-Room School Teachers, William Lynwood Montell reclaims an important part of Kentucky's social, cultural, and educational heritage, assembling a fun and fascinating collection of schoolroom stories that chronicle a golden era in Kentucky. The firsthand narratives and anecdotes in this collection cover topics such as teacher-student relationships, day-to-day activities, lunchtime foods, students' personal relationships, and, of course, the challenges of teaching in a one-room school. Montell includes tales about fund-raising pie suppers, pranks, outrageous student behavior (such as the quiet little boy whose first "sharing" involved profanity), and variety of other topics. Montell even includes some of his own memories from his days as a pupil in a one-room school. Tales from Kentucky One-Room School Teachers is a delightful glimpse of the history of education. First published in 2011.

Following the success of his collections of stories from funeral directors, schoolteachers, doctors, and lawyers, folklorist William Lynwood Montell presents a new volume of tales from Kentucky sheriffs. Montell collected stories from all areas of the state to represent the diversity of social and economic backgrounds in the various communities the officers serve. Tales from Kentucky Sheriffs covers elections, criminal behavior, and sheriff's mistakes in a lighthearted and often humorous manner. The book includes accounts of a drunk driver who thought he was in a different state, a sheriff running a sting operation with the U.S. Marshals, and a woman reporting a tomato thief in her garden. Other accounts involve procedural errors with serious consequences, such as the tale of a sheriff who mistakenly informs a man that his son has committed suicide. Together, these firsthand narratives preserve important aspects of Kentucky's history not likely to be recorded elsewhere. First published in 2011.

Perhaps no one has keener insight into human nature than the small-town trial lawyer. All but lost in an era of corporate law firms and specialized practice, this charismatic figure was once at the political center of a community and was the holder of its many secrets. A small town attorney's only specialization was the town itself. Serving as both defender and accuser, these lawyers witnessed communities and individuals at their best and worst. Men and women of the legal profession often exert influence in seemingly small realms, but they play an important role in the lives of many people and help shape the American legal system. Veteran oral historian and folklorist William Lynwood Montell has brought together a fascinating collection of tales gathered from lawyers and judges throughout the Volunteer State. Montell searched small towns and cities across Tennessee for the law's older and middle age practitioners, and he shares the wealth of their experience in Tales from Tennessee Lawyers. These stories are recorded exactly as told by the lawyers themselves, and they reveal candid and unusual snapshots of the legal system - both past and present. With a tape recorder and an ear for detail, Montell uncovers events and lives ranging from the commonplace to the extraordinary. A man resorts to prostitution to alleviate the debt brought about by divorce proceedings. Identical twins are tried for a string of murders. A convict flees his trial by stealing the judge's car. A prosecutor tries the nation's first school-shooting case. Judge George Balitsaris, a former University of Tennessee football player, escorts a special prosecutor out of a notorious rape trial as a precaution after the defendant's family issues threats. These and similar stories illustrate the strange, complex cases argued daily from Tennessee's largest cities to its smallest towns. Far more than just a collection of lawyer jokes, these recollections shed light on the tense and often dangerous lives of those who work to see that all receive fair representation and treatment in court. First published in 2005.

"Lynwood Montell has collected ghost tales all over the state of Kentucky, from coal mining settlements to river landings, from highways to battlefields. He presents these suspense-filled stories just as he first heard or read them: as bona fide personal experiences or as events witnessed by family members or friends. There are over 250 stories in Ghosts across Kentucky that are set in specific places and times. They include tales of graveyards, haunted dormitories, animal ghosts, and vanishing hitchhikers. Montell describes weird lights, unexplained sounds, felt presences, and disappearing apparitions. Phantom workmen, fallen soldiers, young lovers, and executed criminals appear in these pages, along with the living who chance upon them. Though the focus is on the stories themselves, Montell also includes a chapter explaining our fascination with the supernatural and the deep truths these storytelling traditions reveal about our lives and our pasts.William Lynwood Montell, emeritus professor of folk studies at Western Kentucky University, is the author of several books, including Killings." First published in 2000.

A fascinating collection of ghost stories, tales of the supernatural, death beliefs and death sayings that remain as a vestige of the part in south central Kentucky's "Pennyrile" region. "This unique and extremely valuable book adds considerably to the area of folklore studies in the United States. The material which Montell obtained in his field work is superb." --Don Yoder. "This book is to be recommended to both folklorists and those non-folklorists who read folklore for enjoyment alone. It makes an important contribution to the study of deathlore and, it is to be hoped, will draw added attention to this multi-generic subject area." --David J. Hufford, Tennessee Folklore Society Bulletin. "Professor Montell's book can well be viewed as a standard of excellence: a direct, articulate and cataloged approach for future study and implementation in the fields of folklore and oral history." --Joan Perkal, Oral History Association Newsletter. "The book gives fascinating accounts of death beliefs, death omens, folk beliefs associated with the dead, and in the major section, ghosts narratives. A fine combination of scholarship and chilling narration to be relished by firelight in an old deserted house in the hills." --Book Forum. "Professor Montell has arranged beliefs and experiences about death of a particular group of people in such a way that a whole new aspect of the people's lives comes to focus." --Loyal Jones, The Filson Club HIstory Quarterly. First published in 1975.

Kentucky has a rich legacy of ghostly visitations. Lynwood Montell has harvested dozens of tales of haunted houses and family ghosts from all over the Bluegrass state. Many of the stories were collected from elders by young people and are recounted exactly as they were gathered. Haunted Houses and Family Ghosts of Kentucky includes chilling tales such as that of the Tan Man of Pike County, who trudges invisibly through a house accompanied by the smell of roses, and the famed Gray Lady of Liberty Hall in Frankfort, a houseguest who never left. Montell tells the story of a stormy night, shortly before Henry Clay's death, when the ghost of the statesman's old friend Daniel Boone calls upon him, and then recounts the more modern story of the ghouls that haunt the rehearsal house of the band The Kentucky Headhunters. Included are accounts of haunted libraries, mansions, bedrooms, log cabins, bathrooms, college campuses, apartments, furniture, hotels, and distilleries, as well as reports of eerie visitations from ghostly grandmothers, husbands, daughters, uncles, cousins, babies, slaves, Civil War soldiers, dogs, sheep, and even wildcats. Almost all of Kentucky's 120 counties are represented. Though the book emphasizes the stories themselves, Montell offers an introduction discussing how local history, local character, and local flavor are communicated across the generations in these colorful stories. First published in 2001.

" Headless visions -- howls and moans -- ghostly ladies dressed in black and white -- a fiddling spirit dancing on the road. Such are the sights and sounds that inhabit the pages of Lynwood Montell's Kentucky Ghosts. This collection is representative of the rich tradition of ghost or "haint" tales passed on through the ages and across cultures as a way of dealing with death and the lore of the spirit world. In retelling the tales, Montell has included details about architecture, geography, and local culture. Each tale is told in the voice of the narrator who believe the story to be true. And, who knows... ? First published in 1994.

A good ghost story can make your hair stand on end, your palms sweat, and your heart race. The bone-chilling collection Tales of Kentucky Ghosts presents more than 250 stories that do just that. In his new book, William Lynwood Montell has assembled an entertaining and diverse array of tales from across the commonwealth that will keep you checking under the bed every night. The first-person accounts in this collection showcase folklore that Montell has drawn from archives, family stories, and oral traditions throughout Kentucky. The stories include that of the ghost bride of Laurel County, who appears each year on the anniversary of her wedding day; the tale of the murdered worker who haunts the Simpson County home of his killer and former employer; and the account of the lost mandolin that plays itself in a house in Graves County. These and many other chilling stories haunt the pages of Tales of Kentucky Ghosts. In the tradition of Montell's previous Kentucky ghost books (Ghosts across Kentucky and Haunted Houses and Family Ghosts of Kentucky), Tales of Kentucky Ghosts brings together a variety of terrifying narratives that not only entertain and frighten but also serve as a unique record of Kentucky's rich heritage of storytelling. First published in 2010.

Archival material.
This collection of Kentucky folklore is comprised of correspondence, ballads, songs, stories, sayings, legends, and commercial sound recordings collected between 1950-1962 by folklorist D.K. Wilgus (1918-1989) while teaching at Western Kentucky State College (now University). Also included are similar material Wilgus obtained from earlier folklore scholars Josiah Combs, Herbert Halpert, and E.C. Parrow. Named persons: Josiah Henry Combs; D. K .Wilgus; Herbert Halpert; William Lynwood Montell; E. C. Parrow; Leonard Roberts; D. L. Thomas.

Archival Material, housed at the University of Notre Dame. Summary, "Transcripts and tapes of oral history interviews conducted by Notre Dame students in Montell's classes, deeds of gift of the interviews to the University of Notre Dame Archives, and student papers based on the interviews; concerning the homeless in South Bend, Indiana, eating and drinking establishments in South Bend, and the rural Black community of Calvin Township, Cass County, Michigan."

First published in 1999. In this sequel to Conversations with Kentucky Writers, L. Elisabeth Beattie brings together in-depth interviews with sixteen of the state's premiere wordsmiths. This new volume offers the perspectives of poets, journalists, and scholars as they discuss their views on creativity, the teaching of writing, and the importance of Kentucky in their work. They talk frankly about how and why they do what they do. The writers speak for themselves, and their thoughts come alive on the page. Beattie's interviews reveal the allegiances and alliances among Kentucky writers that have shaped literary trends by bringing together people with shared interests, values, subjects, and styles. The interviewees include authors who are captivated in other writers and in what they have to say about the process and craft of writing; educators who are interested in Kentucky writers and what their work reveals about the nature of creativity; and historians who are concerned with Kentucky's literary and cultural heritage. The interviews reveal patterns in Kentucky literature from mid-century to the millennium, as authors talk about how their sense of place has changed over the decades and reveal the ways in which the roots of Kentucky writing have produced a literary flowering at the century's end. Includes: Sallie Bingham, Joy Bale Boone, Thomas D. Clark, John Egerton, Sarah Gorham, Lynwood Montell, Maureen Morehead, John Ed Pearce, Ameilia Blossom Pegram, Karen Robards, Jeffrey Skinner, Frederick Smock, Frank Steele, Martha Bennett Stiles, Richard Taylor, and Michael Williams.

Collection of poems and fiction. "Emotional stories about the life and death of soldiers and the manner in which the women actively dealt with the events that so tragically surrounded them."--Back cover.

Poems; 92 pages. "This book was handset in Garamound type designed by Morris Benton for ATF after the work of Jean Jannon, a master printer in seventeenth century Paris. 600 copies were printed on Mohawk Superfine paper on a hand-fed C & P. The intaglios were printed on a Royal Zenith Planeta 650 at the Merrick Printing Co. 32 copies that include an original intaglio print by Mary Lou Hess were handbound by Carolyn Whitesel. Design, composition and printing by Becky Bessinger, Leslie Shane and Gray Zeitz at Larkspur Press."--Colophon.

Poems; 79 pages.

Poems; 54 pages. "These poems appeared in the following publications: 'Tsunami, ' 'Morning, ' and 'Resolve' in the Louisville review, 'Words' in the national poetry review and 'The window' in High horse"--Title page verso.

Poems; 39 pages. "This book was handset in Cloister Lightface type, printed on a hand-fed C & P, then handbound. 450 copies were printed on Mohawk Superfine paper and a special edition of 45 copies was printed on Zerkall Book paper. The drawings are by Carolyn Whitesel. Design, composition, printing and binding by Leslie Shane, Carolyn Whitesel and Gray Zeitz at Larkspur Press"--Colophon.

Poems; 35 pages. "This book was handset in Cloister Lightface type, printed on a hand-fed C & P and a Vandercook, then handbound. 400 copies were printed on Mohwak Superfine paper and a special edition of 32 copies was printed on Somerset Book and Zerkall papers. The wood engravings are by Joanne Price. Design, composition, printing and binding by Joanne Price, Leslie Shane, Carolyn Whitesel and Gray Zeitz at Larkspur Press."--Colophon.

M.A. thesis from the University of Louisville, 1975.

Broadside; housed at Wofford College, South Carolina. Printed in black on heavy cream-colored paper. Includes a wood engraving of two people ice-skating on a river by Laura Lee Cundiff. "100 copies" printed--Colophon.

Ph.D. dissertation from the University of Louisville.

First published in 1999. In this sequel to Conversations with Kentucky Writers, L. Elisabeth Beattie brings together in-depth interviews with sixteen of the state's premiere wordsmiths. This new volume offers the perspectives of poets, journalists, and scholars as they discuss their views on creativity, the teaching of writing, and the importance of Kentucky in their work. They talk frankly about how and why they do what they do. The writers speak for themselves, and their thoughts come alive on the page. Beattie's interviews reveal the allegiances and alliances among Kentucky writers that have shaped literary trends by bringing together people with shared interests, values, subjects, and styles. The interviewees include authors who are captivated in other writers and in what they have to say about the process and craft of writing; educators who are interested in Kentucky writers and what their work reveals about the nature of creativity; and historians who are concerned with Kentucky's literary and cultural heritage. The interviews reveal patterns in Kentucky literature from mid-century to the millennium, as authors talk about how their sense of place has changed over the decades and reveal the ways in which the roots of Kentucky writing have produced a literary flowering at the century's end. Includes: Sallie Bingham, Joy Bale Boone, Thomas D. Clark, John Egerton, Sarah Gorham, Lynwood Montell, Maureen Morehead, John Ed Pearce, Ameilia Blossom Pegram, Karen Robards, Jeffrey Skinner, Frederick Smock, Frank Steele, Martha Bennett Stiles, Richard Taylor, and Michael Williams.

Sound recording. Eight Kentucky writers read from their own works; previously recorded as part of the Kentucky Center for the Arts' Readings series beginning in 1988. Named persons: James Still; Marsha Norman; Jim Wayne Miller; Sena Jeter Naslund; Sarah Gorham; Jeffrey Skinner; Maureen Podshadley Morehead; Fenton Johnson.
7 audiocassettes.

A Finalist for the Pulitzer Prize; Winner of the Kirkus Prize for Fiction; A Recipient of the Windham-Campbell Prize for Fiction; A Finalist for the James Tait Black Prize for Fiction; A Finalist for the Baileys Women's Prize for Fiction; A Finalist for the Rathbones Folio Prize; Longlisted for an Andrew Carnegie Medal for Excellence; One of New York Times Book Review 100 Notable Book. The Sport of Kings is an American tale centered on a horse and two families: one white, a Southern dynasty whose forefathers were among the founders of Kentucky; the other African-American, the descendants of their slaves. It is a dauntless narrative that stretches from the fields of the Virginia piedmont to the abundant pastures of the Bluegrass, and across the dark waters of the Ohio River; from the final shots of the Revolutionary War to the resounding clang of the starting bell at Churchill Downs. As C. E. Morgan unspools a fabric of shared histories, past and present converge in a Thoroughbred named Hellsmouth, heir to Secretariat and a contender for the Triple Crown. Newly confronted with one another in the quest for victory, the two families must face the consequences of their ambitions, as each is driven---and haunted---by the same, enduring question: How far away from your father can you run? A sweeping narrative of wealth and poverty, racism and rage, The Sport of Kings is an unflinching portrait of lives cast in the shadow of slavery and a moral epic for our time.

One summer, a young woman travels with her lover to the isolated tobacco farm he has inherited after his family dies in a terrible accident. As Orren works to save his family farm from drought, Aloma struggles with the loneliness of farm life and must find her way in a combative, erotically-charged relationship with a grieving, taciturn man. A budding friendship with a handsome and dynamic young preacher further complicates her growing sense of dissatisfaction. As she considers whether to stay with Orren or to leave, she grapples with the finality of loss and death, and the eternal question of whether it is better to fight for freedom or submit to love. All the Living has the timeless quality of a parable, but is also a perfect evocation of a time and place, a portrait of both age-old conflicts and modern life. It is an ode to the starve-acre Southern farm, the mountain landscape, and difficult love. In her lyrical and moving debut novel, C.E. Morgan recalls both the serenity of Marilynne Robinson and the shifting emotional currents and unashamed eroticism of James Salter. It is an unforgettable book from a major new voice.

When Janice Morgan, a divorced college professor living in a small town in Kentucky, learns that her son has been arrested for possession of a stolen firearm and drug charges, she feels like she's living a nightmare. Dylan's turbulent period as a college student in Cincinnati before this should have warned her, but it's only now that she realizes how far he has drifted into substance abuse and addiction. As Dylan passes through the judicial system and eventually receives a diversion to drug court, Morgan breathes a sigh of relief--only to find that she, too, has been sentenced right along with him. In the months to follow, she leads a double life: part of it on campus, the rest embarking upon what she calls "rescue missions" to help Dylan stay in the program. But resilience, dark humor, and extreme parenting can only carry you so far. Eventually, Morgan discovers that she needs to gain a deeper understanding of the bipolar and addiction issues her son is dealing with. Will each of them be able to learn fast enough to face these complexities in their lives? Clearly, Dylan isn't the only one who has recovery work to do.

First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company. Series: Gender & Genre in Literature, v.3; Garland Reference Library of the Humanities, v.1386
Contents:
"'She' is me more than 'I'" : writing and the search for identity in the works of Marie Cardinal / Colette T. Hall --
Father land and/or mother tongue : the divided female subject in Kogawa's Obasan and Hong Kingston's The woman warrior / Donald C. Goellnicht --
The question of lesbian identity in Marie-Claire Blais's work / Janine Ricouart --
Gabrielle Roy's Children of my heart, or, Portrait of the artist as a young woman / Agnès Whitfield.

Ph. D. dissertation from Indiana University.

23 editions published between 1916 and 2010.

16 editions published between 1897 and 2010.

37 editions published between 1934 and 2012 in 7 languages.

27 editions published between 1903 and 2017 in English and Dutch.

Conference papers and proceedings. 33 editions published between 1925 and 2011.
"Based on lectures delivered at Princeton University under the Louis Clark Vanuxem Foundation, February 24, March 1, 8, 15, 1916."

16 editions published between 1927 and 1971 in 3 languages.

41 editions published between 1907 and 2010 in 5 languages.

14 editions published between 1919 and 2018.

Reprint. Originally published: 's-Gravenhage : M. Nijhoff, 1925.

23 editions published between 1913 and 2012.

41 editions published between 1915 and 2012.

34 editions published between 1919 and 2012 in 3 languages

31 editions published between 1901 and 2018 in 3 languages.

Second edition. 35 editions published between 1932 and 1977 in 5 languages.

14 editions published between 1916 and 2010.

63 editions published between 1917 and 1988 in 5 languages.

14 editions published between 1923 and 2010.

Biography. Previously published: Lexington, Ky. : University Press of Kentucky, 1976.

These essays -- the outgrowth of a symposium sponsored by the University of Kentucky to honor one of its most distinguished graduates, Nobel Prize laureate Thomas Hunt Morgan -- provide a representative view of research interests in specific areas of molecular biology. The fifteen contributors to this volume are among the most distinguished scientists in America.

Lost Girls is a collection of stories that explores the experiences of women and girls as they grieve, find love, face uncertainty, take a stand, find their future and say goodbye to the past. It is a chronicle of the female experience at a time when the experiences of women and girls are being shared, weighed, examined and given value. Across the collection the women and girls look for ways to be seen, to fit in, to take a stand, and to find their way back to themselves after trauma or loss.

Poems; 24 pages.

Poems; 25 pages. Seven Kitchens Press.