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History.

Known as the "Man in the Brown Suit" and "The Baron of the Bluegrass," Adolph Rupp (1901--1977) is a towering figure in the history of college athletics. In Adolph Rupp and the Rise of Kentucky Basketball, historian James Duane Bolin goes beyond the wins and losses to present a full-length biography of Rupp based on more than one-hundred interviews with Rupp, his assistant coaches, former players, University of Kentucky presidents and faculty members, and his admirers and critics, as well as court transcripts, newspaper accounts, and other archival materials, this biography presents the fullest account of Rupp's life to date. His teams won four NCAA championships (1948, 1949, 1951, and 1958), one National Invitation Tournament title in 1946, and twenty-seven Southeastern Conference regular season titles. Rupp's influence on the game of college basketball and on his adopted home of Kentucky are both much broader than his impressive record on the court. Bolin covers Rupp's early years -- from his rural upbringing in a German Mennonite family in Halstead, Kansas, through his undergraduate years at the University of Kansas playing on teams coached by Phog Allen and taking classes with James Naismith, the inventor of basketball -- to his success at Kentucky. This revealing portrait of a pivotal figure in American sports also exposes how college basketball changed, for better or worse, in the twentieth century.

William Frederick "Billy" Klair (1875-1937) was the undisputed czar of Lexington, Kentucky, for decades. As political boss in a mid-sized, southern city, he faced problems strikingly similar to those of large cities in the North. As he watched the city grow from a sleepy market town of 16,000 residents to a bustling, active urban center of over 50,000, Klair saw changes that altered not just Lexington but the nation and the world: urbanization, industrialization, and immigration. But Klair did not merely watch these changes; like other political bosses and social reformers, he actively participated in the transformation of his city. As a political boss and a practitioner of what George Washington Plunkitt of Tammany Hall referred to as "honest graft," Klair applied lessons of organization, innovation, manipulation, power, and control from the machine age to bring together diverse groups of Lexingtonians and Kentuckians as supporters of a powerful political machine. James Duane Bolin also examines the underside of the city, once known as the Athens of the West. He balances the postcard view of Bluegrass mansions and horse farms with the city's well-known vice district, housing problems, racial tensions, and corrupt politics. With the reality of life in Lexington as a backdrop, the career of Billy Klair provides as a valuable and engaging case study of the inner workings of a southern political machine.

Since 2005, readers of the Murray Ledger & Times have been privileged to enjoy the reflective insights of Professor Duane Bolin, a teacher, and historian at Murray State University in western Kentucky. These delightful essays recount themes well known to us all...memories of friends and family, thoughts of home and small town living, travel adventures both far and near, and school life both as a student and teacher. just to name a few. This weekly column, "Home and Away", is also featured in the Danville Advocate-Messenger, Providence Journal-Enterprise, Sebree Banner, and Winchester Sun. While these essays are based upon Bolin's real-life experiences, readers will find comfort in how familiar the stories seem as they trigger thoughts of similar events and casually prompt deeper study on life and living. Home and Away: A Professor's Journal brings together some of Bolin's most favorite essays from over ten years of writing--may they provide encouragement and inspiration for many years to come.

History. Contents: A foundation on which to build; Cooperation; Hard times: Kentucky Baptists in the Great Depression, 1929-1937; War and worship: Kentucky Baptists and the impact of World War II, 1938-1945; Boone and the boom years, 1946-1961; Gains and losses, 1961-1972; Making history, 1972-1982; On mission together, 1983-2000.

Kentucky Women: Their Lives and Times introduces a history as dynamic and diverse as Kentucky itself. Covering the Appalachian region in the east to the Pennyroyal in the west, the essays highlight women whose aspirations, innovations, activism, and creativity illustrate Kentucky's role in political and social reform, education, health care, the arts, and cultural development. The collection features women with well-known names as well as those whose lives and work deserve greater attention. Shawnee chief Nonhelema Hokolesqua, western Kentucky slave Matilda Lewis Threlkeld, the sisters Emilie Todd Helm and Mary Todd Lincoln, reformers Madeline McDowell Breckinridge and Laura Clay, activists Anne McCarty Braden and Elizabeth Fouse, politicians Georgia Davis Powers and Martha Layne Collins, sculptor Enid Yandell, writer Harriette Simpson Arnow, and entrepreneur Nancy Newsom Mahaffey are covered in Kentucky Women, representing a broad cross section of those who forged Kentucky's relationship with the American South and the nation at large. With essays on frontier life, gender inequality in marriage and divorce, medical advances, family strife, racial challenges and triumphs, widowhood, agrarian culture, urban experiences, educational theory and fieldwork, visual art, literature, and fame, the contributors have shaped a history of Kentucky that is both grounded and groundbreaking. With contributions by: Melissa A. McEuen, Catherine Fosl, Craig Thompson Friend, Melanie Goan, John Hill, Anya Jabour, William Kuby, Karen Cotton McDaniel, Mary Jane Smith, Andrea Watkins, Thomas H. Appleton, Lindsey Apple, Martha Billips, James Duane Bolin, Sarah Case, Juilee Decker, Carolyn Dupont, and Angela Esco Elder.

A prequel to the hit Netflix series 'Stranger Things.' "The first official Stranger things novel."--Front Jacket."A mysterious lab. A sinister scientist. A secret history. If you think you know the truth behind Eleven's mother, prepare to have your mind turned Upside Down in this thrilling prequel to the hit show Stranger Things. It's the summer of 1969, and the shock of conflict reverberates through the youth of America, both at home and abroad. As a student at a quiet college campus in the heartland of Indiana, Terry Ives couldn't be farther from the front lines of Vietnam or the incendiary protests in Washington. But the world is changing, and Terry isn't content to watch from the sidelines. When word gets around about an important government experiment in the small town of Hawkins, she signs on as a test subject for the project, code named MKULTRA. Unmarked vans, a remote lab deep in the woods, mind-altering substances administered by tight lipped researchers ... and a mystery the young and restless Terry is determined to uncover. But behind the walls of Hawkins National Laboratory--and the piercing gaze of its director, Dr. Martin Brenner--lurks a conspiracy greater than Terry could have ever imagined. To face it, she'll need the help of her fellow test subjects, including one so mysterious the world doesn't know she exists--a young girl with unexplainable, superhuman powers and a number instead of a name: 008. Amid the rising tensions of the new decade, Terry Ives and Martin Brenner have begun a different kind of war--one where the human mind is the battlefield"-

Lois Lane series, book 1. Lois Lane is new to Metropolis, and this time, the teenager is determined to fit in. But almost as soon as she walks into her new high school, it becomes clear that it won't be easy. Kids known as the Warheads are making another girl insane, and Lois, with her snazzy new job at the Daily Planet, might be the only person who can stop them.

Lois Lane series, book 2. Lois Lane has settled in to her new school. She has friends, for maybe the first time in her life. She has a job that challenges her. And her friendship is growing with SmallvilleGuy, her online maybe-more-than-a-friend. But when her friend Maddy's twin collapses in a part of town she never should've been in, Lois finds herself embroiled in a dangerous mystery that brings her closer to the dirty underbelly of Metropolis.

Lois Lane series, book 3. For the first time, Loise Lane has almost everything she wants. Non-temporary home? Check. Dream Job? Double check. Incredible BFFs? The absolute best. And, now, her online crush, SmallvilleGuy, is coming to Metropolis. If all goes well, they'll turn their long-distance friendship into a some-kind-of-fairy-tale romance. But when does all ever go well? Before she can check "boyfriend" off her list, Lois must take down a mad scientist plus a trio of mutant teens, protect the elusive flying man from the feds (including her dad), and navigate her very first date with SmallvilleGuy.

The Supernormal Sleuthing Service series, book 1. "Monstrous fun!"--Booklist Three kids. A hotel full of monsters. And a stolen magical artifact that could disrupt the balance between the humans and the supernatural. Welcome to life at Hotel Monster! Escape from Mr. Lemoncello's Library meets Hotel Transylvania in the first book of this hilarious and spooky new series that blends mystery with monsters. Stephen's dad has moved their two-person family across the country to New York City, where he is taking over as head chef in an exclusive hotel. A hotel that has the most elite of clientele: monsters (though they prefer to be called supernormals). Surprise! And an even bigger surprise? Stephen is part supernormal himself. When a magical family heirloom is stolen and Stephen is framed, he must work with two new friends to navigate this whole new world and clear his name. After all, consequences can be dire in the world of monsters. Spooky, funny, and full of monstrous hijinks, The Lost Legacy is an inventive and accessible mystery-adventure full of friendship and humor--perfect for fans of Pseudonymous Bosch and R. L. Stine's Goosebumps series.

The Supernormal Sleuthing Service series, book 2. Living in a hotel full of monsters isn't always easy, especially when all the adults have fallen under an evil spell! Stephen and his friends have three days to undo a sorcerer's magic before the spell becomes permanent and their parents are cursed forever. Hotel Transylvania meets Escape from Mr. Lemoncello's Library. It's only been a few weeks since Stephen started living in the New Harmonia--a hotel that caters to a supernormal clientele, including bigfeet, vampires, dragons, and talking gargoyles--and he still has a lot to learn. His latest discovery? The lions at the New York Public Library are actually sphinxes, guarding a secret underground collection of magical artifacts. But just as Stephen makes this discovery, a mysterious warlock named Edmund the Enchanter turns the sphinxes to stone and steals a powerful wand from the library's collection. With the wand, Edmund could take control of the entire supernormal world. Stephen and his two best friends, Sofia and Ivan, have only three days to thwart Edmund's evil intentions. The Sphinx's Secret is an adventure-filled monstrous romp with a time-travel twist. This inventive and accessible mystery-adventure is full of friendship, humor, and a curious cast of characters perfect for fans of Pseudonymous Bosch and R. L. Stine's Goosebumps series. Features black-and-white art by Glenn Thomas throughout.

Cirque American series, book 1. A ballerina, twirling on a wire high above the crowd. Horses, prancing like salsa dancers. Trapeze artists, flying like somersaulting falcons. And magic crackling through the air. Welcome to the Cirque American! Sixteen-year-old Jules Maroni's dream is to follow in her father's footsteps as a high-wire walker. When her family is offered a prestigious role in the new Cirque American, it seems that Jules and the Amazing Maronis will finally get the spotlight they deserve. But the presence of the Flying Garcias may derail her plans. For decades, the two rival families have avoided each other as sworn enemies. Jules ignores the drama and focuses on the wire, skyrocketing to fame as the girl in a red tutu who dances across the wire at death-defying heights. But when she discovers a peacock feather--an infamous object of bad luck--planted on her costume, Jules nearly loses her footing. She has no choice but to seek help from the unlikeliest of people: Remy Garcia, son of the Garcia clan matriarch and the best trapeze artist in the Cirque. As more mysterious talismans believed to possess unlucky magic appear, Jules and Remy unite to find the culprit. And if they don't figure out what's going on soon, Jules may be the first Maroni to do the unthinkable: fall.

Cirque American series, book 2. Eighteen-year-old Moira Mitchell grew up in the shadows of Vegas's stage lights while her father's career as a magician soared. More than anything, Moira wants to be a magician too, but her father is dead set against her pursuing magic. When an invitation to join the Cirque American mistakenly falls into Moira's possession, she takes action. Instead of giving the highly coveted invitation to its intended recipient, Raleigh, her father's handsome and worldly former apprentice, Moira takes off to join the Cirque. If she can perform alongside its world-famous acts, she knows she'll be able to convince her dad that magic is her future. But when Moira arrives, things take on an intensity she can't control as her stage magic suddenly feels like...real magic. To further distract her, Raleigh shows up none too pleased at Moira's presence, all while the Cirque's cocky and intriguing knife thrower, Dez, seems to have it out for her. As tensions mount and Moira's abilities come into question, she must decide what's real and what's an illusion. If she doesn't sort it out in time, she may forever remain a girl in the shadows.

On Roanoke Island, the legend of the 114 people who mysteriously vanished from the Lost Colony hundreds of years ago is just an outdoor drama for the tourists, a story people tell. But when the island faces the sudden disappearance of 114 people now, an unlikely pair of 17-year-olds may be the only hope of bringing them back. Miranda, a misfit girl from the island's most infamous family, and Phillips, an exiled teen criminal who hears the voices of the dead, must dodge everyone from federal agents to long-dead alchemists as they work to uncover the secrets of the new Lost Colony. The one thing they can't dodge is each other. Blackwood is a dark, witty coming of age story that combines America's oldest mystery with a thoroughly contemporary romance.

Five years ago, the gods of ancient mythology awoke around the world. This morning, Kyra Locke is late for school. Seventeen-year-old Kyra lives in a transformed Washington, D.C., home to the embassies of divine pantheons and the mysterious Society of the Sun. But when rebellious Kyra encounters two trickster gods on her way back from school, one offering a threat and the other a warning, it turns out her life isn't what it seems. She escapes with the aid of Osborne "Oz" Spencer, an intriguing Society field operative, only to discover that her scholar father has disappeared with a dangerous relic. The Society needs it, and they don't care that she knows nothing about her father's secrets. Now Kyra must depend on her wits and the suspect help of scary gods, her estranged oracle mother, and, of course, Oz-whose first allegiance is to the Society. She has no choice if she's going to recover the missing relic and save her father. And if she doesn't? Well, that may just mean the end of the world as she knows it. From the author of Blackwood comes a fresh, thrilling urban fantasy that will appeal to fans of Neil Gaiman, Cassandra Clare, and Rick Riordan.

Gwenda Bond's first book Blackwood has been reimagined and brought back to life with new vision. On Roanoke Island, the legend of the Lost Colony -- and the 114 colonists who vanished without a trace more than four hundred years ago -- still haunts the town. But that's just a story told for the tourists. When 114 people suddenly disappear from the island in present day, it seems history is repeating itself -- and an unlikely pair of seventeen-year-olds might be the only hope of bringing the missing back. Miranda Blackwood, a member of one of island's most infamous families, and Grant Rawling, the sherrif's son, who has demons and secrets of his own, find themselves at the center of the mystery. As the unlikely pair works to uncover the secrets of the new Lost Colony, they must dodge everyone from the authorities to long-dead alchemists as they race against time to save their family and friends before they too are gone for good.

A paranormal romantic comedy at the (possible) end of the world. From New York Times bestselling author Gwenda Bond, Not Your Average Hot Guy is a hilarious romantic comedy about two people falling in love, while the fate of the world rests on their shoulders.All Callie wanted was a quiet weekend with her best friend. She promised her mom she could handle running her family's escape room business while her mom is out of town. Instead a Satanic cult shows up, claiming that the prop spell book in one of the rooms is the real deal, and they need it to summon the right hand of the devil. Naturally they take Callie and her friend, Mag, along with them. But when the summoning reveals a handsome demon in a leather jacket named Luke who offers to help Callie stop the cult from destroying the world, her night goes from weird to completely strange.As the group tries to stay one step ahead of the cult, Callie finds herself drawn to the annoying (and annoyingly handsome) Luke. But what Callie doesn't know is that Luke is none other than Luke Morningstar, Prince of Hell and son of the Devil himself. Callie never had time for love, and with the apocalypse coming closer, is there room for romance when all hell's about to break loose?

Cirque American, volume 1. Collecting comic book issues #1-4, this GRAPHIC NOVEL tells a brand-new story in Gwenda Bond's CIRQUE AMERICAN universe! From acclaimed fantasy writer Gwenda Bond (Girl on a Wire, Girl in the Shadows), this four-issue comic book series features a new stand-alone story set within the world of Bond's exotic, magical Cirque American. Written by New York Times bestselling comic book writer Kate Leth (Patsy Walker, A.K.A. Hellcat!, Adventure Time: Seeing Red) and featuring stunning art by acclaimed artist Ming Doyle (The Kitchen, Constantine: The Hellblazer). After a high-profile tumble, Cirque American's star wire walker, Jules Maroni, has a lot to prove--and her invitation to an exclusive exhibition in Paris looks to be just the opportunity to put her back on top. Unfortunately, the City of Lights glitters with distractions, including the presence of her first serious boyfriend and a mysterious figure haunting the venue.

"First published by Kentucky Poetry Press and edited by Wade Hall, Alice Scott and Gregg Swem"--Title page verso. Reprint in honor of Boone's tenure as 1997-1998 Poet Laureate of Kentucky, commemorating the reopening of Cassius Clay's residence, White Hall, in Richmond, Kentucky. Contains new introduction, "The poet and her subject," by Wade Hall.

Poets of Kentucky series, no. 1.

Poems. 26 pages.

Housed at Bellarmine University, W. L. Lyons Brown Library.

Papers concerning the historical writing and research of retired Marine Corp Brigadier General Ronald Reginald Van Stockum. Papers include photocopies of primary sources and research notes related to Squire Boone, Nicolas Meriwether, the Boone and Meriwether families, and early Shelby County (Ky.) history. Also included are photocopies and original material concerning Allen Dale Farm in Shelby County, Jersey cattle on the farm, and owner Sue Henning. Finally, personal correspondence regarding Van Stockum's research and books, drafts of the books, and material related to publishing those books is included. Named persons: Ronald R Van Stockum; Robert Polk Allen; Daniel Boone; Joy Bale Boone; Squire Boone; Boone family.; Anne Frye Caudill; Thomas Dionysius Clark; Susan Thornton Henning; Henning family; Lee Meriwether; Nicholas Meriwether; Meriwether family; William Shannon; Susanne Meriwether de Charette Van Stockum.

Biography. 456 pages; illustrations. Includes index.

First published in 1999. In this sequel to Conversations with Kentucky Writers, L. Elisabeth Beattie brings together in-depth interviews with sixteen of the state's premiere wordsmiths. This new volume offers the perspectives of poets, journalists, and scholars as they discuss their views on creativity, the teaching of writing, and the importance of Kentucky in their work. They talk frankly about how and why they do what they do. The writers speak for themselves, and their thoughts come alive on the page. Beattie's interviews reveal the allegiances and alliances among Kentucky writers that have shaped literary trends by bringing together people with shared interests, values, subjects, and styles. The interviewees include authors who are captivated in other writers and in what they have to say about the process and craft of writing; educators who are interested in Kentucky writers and what their work reveals about the nature of creativity; and historians who are concerned with Kentucky's literary and cultural heritage. The interviews reveal patterns in Kentucky literature from mid-century to the millennium, as authors talk about how their sense of place has changed over the decades and reveal the ways in which the roots of Kentucky writing have produced a literary flowering at the century's end. Includes: Sallie Bingham, Joy Bale Boone, Thomas D. Clark, John Egerton, Sarah Gorham, Lynwood Montell, Maureen Morehead, John Ed Pearce, Ameilia Blossom Pegram, Karen Robards, Jeffrey Skinner, Frederick Smock, Frank Steele, Martha Bennett Stiles, Richard Taylor, and Michael Williams.

A history of Kentucky's poets laureate since 1926. Contains works by J.T. Cotton Noe, Edward Gay Hill, Louise Scott Phillips, Edwin Carlisle Litsey, Jesse Hilton Stuart, Lowell Allen Williams, Lillian D. Chaffin, Senator Tom Mobley, Agnes Todd Saffell O'Rear, Clarence "Soc" Henry Clay, Lee Pennington, Paul Salyers, Dale Faughn, Jim Wayne Miller, Henry E. Pilkenton, James H. Patton, James Still, Joy Bale Boone, Richard Lawrence Taylor, James Baker Hall and Joe Survant.

Tenth Anniversary Edition. "Unbearable Weight is brilliant. From an immensely knowledgeable feminist perspective, in engaging, jargonless (!) prose, Bordo analyzes a whole range of issues connected to the body--weight and weight loss, exercise, media images, movies, advertising, anorexia and bulimia, and much more--in a way that makes sense of our current social landscape--finally! This is a great book for anyone who wonders why women's magazines are always describing delicious food as 'sinful' and why there is a cake called Death by Chocolate. Loved it!"--Katha Pollitt, Nation columnist and author of Subject to Debate: Sense and Dissents on Women, Politics, and Culture (2001)

Considering everything from Nike ads, emaciated models, and surgically altered breasts to the culture wars and the O.J. Simpson trial, Susan Bordo deciphers the hidden life of cultural images and the impact they have on our lives. She builds on the provocative themes introduced in her acclaimed work Unbearable Weight--which explores the social and political underpinnings of women's obsession with bodily image--to offer a singularly readable and perceptive interpretation of our image-saturated culture. As it becomes increasingly difficult to distinguish between appearance and reality, she argues, we need to rehabilitate the notion that not all versions of reality are equally trustworthy. Bordo writes with deep compassion, unnerving honesty, and bracing intelligence. Looking to the body and bodily practices as a concrete arena where cultural fantasies and anxieties are played out, she examines the mystique and the reality of empowerment through cosmetic surgery. Her brilliant discussion of sexual harassment reflects on the Clarence Thomas/Anita Hill controversy as well as the film Disclosure. She suggests that sexuality, although one of the mediums of harassment, is not its essence, and she calls for the recasting of harassers as bullies rather than sex fiends. Bordo also challenges the continuing marginalization of feminist thought, in particular the failure to read feminist work as cultural criticism. Finally, in a powerful and moving essay called "Missing Kitchens"--written in collaboration with her two sisters--Bordo explores notions of bodies, place, and space through a recreation of the topographies of her childhood. Throughout these essays, Bordo avoids dogma and easy caricature. Consistently, and on many levels, she demonstrates the profound relationship between our lives and our theories, our feelings and our thoughts.

The Flight to Objectivity offers a new reading of Descartes' Meditations informed by cultural history, psychoanalytic and cognitive psychology, and feminist thought. It focuses not on Descartes' arguments as "timeless," culturally disembodied events, but on the psychological drama and imagery of the Meditations explored in the context of the historical instability of the seventeenth century and deep historical changes in the structure of human experience. The study includes textual and cultural material that together comprise a gradually unfolding psychocultural reading of the Meditations. Descartes' famous doubt, and the ideal of objectivity which conquered that doubt, are considered as philosophical expressions of a cultural "drama of parturition" from the medieval universe, a process that generated new forms of experience, new cultural anxieties, and ultimately, new strategies for control and mastery of an utterly changed and alien world. Themes that figure prominently in recent literature on seventeenth-century philosophy and science--the birth of the mind as "mirror of nature," and the "masculine" nature of modern science, the "death of nature"--are explored with reference to Descartes as a pivotal figure in the birth of modernity.

In this surprising, candid cultural analysis, Susan Bordo begins with a frank, tender look at her own father's body and goes on to perceptively scrutinize the presentation of maleness in everyday life. Men's (and women's) ideas about men's bodies are heavily influenced by society's expectations, and Bordo helps us understand where those ideas come from. In chapters on the penis (in all its incarnations), fifties Hollywood, male beauty standards, and sexual harassment, and in discussions of topics ranging from Marlon Brando and Boogie Nights to Philip Roth and Lady Chatterley's Lover, Bordo offers fresh and unexpected insights. Always -- whether she is examining Michael Jordan or Humbert Humbert, the butch phallus or her own grade-school experiences -- she rejects rigid categories in favor of an honest, nuanced version of men as flesh-and-blood human beings.

Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first-century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Bordo probes the complexities of one of history's most infamous relationships. Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and re-imagined Anne: whore, martyr, cautionary tale, proto "mean girl," feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.

In a mere few months during the 2016 presidential campaign, the accomplished and poised former Senator and Secretary of State was turned into something unrecognizable. Hillary was 'flawed.' 'Historically unpopular.' 'Untrustworthy.' Not 'available' enough to the media or 'the people.' We heard it - and more - from our neighbors overseas, on social media, in our offices and our houses. What happened? In a week-by-week narrative of the campaign year - from the primaries through election day - Bordo deconstructs the various forces that contributed to Hillary Clinton's political destruction.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Once upon a time, the news was only 15 minutes long and middle-class families huddled around a tiny black-and-white screen, TV dinners on their laps, awaiting weekly sitcoms that depicted an all-white world in which mom wore pearls and heels as she baked endless pies. If this seems a distant past, that's a measure of just how much TV has changed-and changed us. Weaving together personal memoir, social and political history, and reflecting on key moments in the history of news broadcasting and prime time entertainment, Susan Bordo opens up the 75-year-old time-capsule that is TV and illustrates what a constant companion and dominant cultural force television has been, for good and for bad, in carrying us from the McCarthy hearings and The Adventures of Ozzie and Harriet to Mad Men, Killing Eve, and the emergence of our first reality TV president. Object Lessons is published in partnership with an essay series in The Atlantic.

The months between the presidential election of 2016 and the summer of 2019 have been a wild ride, from the unexpected (and for many traumatic) results of the election to growing recognition of how profoundly the Trump presidency has changed our lives, from discoveries of corruption and foreign influence on our democratic institutions to fresh assaults on reproductive rights, the Brett Kavanaugh hearings and the #MeToo movement, Robert Mueller's long-awaited report and its aftermath, and the beginnings of the 2020 primary contest. Follow cultural historian and media critic Susan Bordo through those events as they happened, in a book whose format is uniquely designed to capture their immediacy. Combining full-length published pieces with spontaneous, unfiltered, never-before published posts, in a voice that is bracingly honest as well as critically penetrating, this collection goes beyond journalistic conventions to reveal the ways in which the political is indeed the personal.

"The essays in this interdisciplinary collection share the conviction that modern western paradigms of knowledge and reality are gender-biased. Some contributors challenge and revise western conceptions of the body as the domain of the biological and 'natural, ' the enemy of reason, typically associated with women. Others develop a conception of the knowing subject which, in contrast to dominant philosophical conceptions, is social, embodied, interested, and emotional as well as rational, and whose emotions and reason are shaped by her historical context. A final group of papers explores the practical application of these feminist insights in a range of contexts."--Back cover.

A reading of the Cartesian corpus from the vantage point of contemporary feminism. It includes discussion of the implications of Descartes' epistemology for feminists and the historical context of his intellectual relations with women. Contributors are Susan Bordo, Stanley Clarke, Erica Harth, Leslie Heywood, Luce Irigaray, Genevieve Lloyd, Mario Moussa, Eileen O'Neill, Adrianna Paliyenko, Ruth Perry, Mario Sáenz, Karl Stern, Thomas Wartenberg, and James Winders.

The first collection of its kind, Provocations: A Transnational Reader in the History of Feminist Thought is historically organized and transnational in scope, highlighting key ideas, transformative moments, and feminist conversations across national and cultural borders. Emphasizing feminist cross-talk, transnational collaborations and influences, and cultural differences in context, this anthology heralds a new approach to studying feminist history. Provocations includes engaging, historically significant primary sources by writers of many nationalities in numerous genres--from political manifestos to theoretical and cultural analysis to poetry and fiction. These texts range from those of classical antiquity to others composed during the Arab Spring and represent Asia, the Middle East, Latin America, Western Europe, and the United States. Each section begins with an introductory essay that presents central ideas and explores connections among readings, placing them in historical, national, and intellectual contexts and concluding with questions for discussion and reflection.

This new Reader gives students an ideal overview of the historical developments and current controversies within this dynamic area of feminist theory. Wide-ranging articles stress the interdisciplinary nature of contemporary feminist thought and include 'Sexy Bodies' and 'Performing Bodies'. Key Features*Comprehensive coverage of differing feminist approaches to the body*General critical introduction puts the issues in context*Wide range of contributors, including Susan Bordo, Donna Haraway, and Elizabeth Grosz.

Composing Gender explores questions around the central concept of gender: Is gender binary, or more complicated? How do we define gender and sexuality? What stereotypes, expectations, and rituals shape gender? What influence does the media have on gender? Readings by a range of feminist scholars, journalists, gender theorists, biologists, legal scholars, sociologists, and others take up these questions and more. Questions and assignments for each selection provide a range of activities for students. The Web site for the Spotlight Series offers comprehensive instructor support with sample syllabi and additional teaching resources. The Bedford Spotlight Reader Series is an exciting new line of single-theme readers, each featuring Bedford's trademark care and quality. The readers in the series collect carefully chosen readings sufficient for an entire writing course--about 30 selections--to allow instructors to provide carefully developed, high-quality instruction at an affordable price. Bedford Spotlight Readers are designed to help students make inquiries from multiple perspectives, opening up topics such as money, food, sustainability, and gender to critical analysis. The readers are flexibly arranged in thematic chapters, each focusing in depth on a different facet of the central topic. An Editorial Board of more than a dozen compositionists at schools focusing on specific themes have assisted in the development of the series.

Master's thesis; University of Utah.

Master's thesis; Pennsylvania State University.

DVDs; approx. 120 minutes each. Provides educators and scholars with in-depth, digitally filmed interviews with many of the scholars who generated and initially sustained feminist philosophy in North America. [v.1] Sandra Bartky -- [v.2] Susan Bordo -- [v.3] Sandra harding -- [v.4] Nel Noddings -- [v.5] Sara Ruddick.

VHS videocassette. NCHC/Phi Theta Kappa Honors Satellite Seminar Series, no. 3. Presented by Dr. Susan Bordo.

VHS videocassette; 45 minutes. Narration written and spoken by Susan Bordo. Profiles eight young people of diverse race, ethnicity, socio-economic level, geographic locale, and sexual orientation. They share their personal experiences and outlooks on a wide range of issues, including body-image, gender identity, peer pressure, family, religion and their decisions about how and when to act on their own sexuality. Two of the eight talk about living with AIDS.

A Path of Stitches takes the reader on an illustrated journey to a simple time deep within the Appalachian Mountains, allowing them a glimpse of a day in the life of a young Appalachian girl and her love of storytelling. The colorful illustrations bring the Appalachian culture and the art of quilting alive with heartwarming images, and intricate details. A Path of Stitches is based on events, people, and memories in author Joyce Bowling's childhood. Her memory quilt, grandmother, mother, and her love of poetry and storytelling helped inspire the story. The memory quilt was pieced with memories and stories, and stitched with love and compassion, and designed for comfort and warmth on cold winter's nights. The story was written to help keep the tradition of Appalachian quilting, storytelling, and the author's memories forever alive!

Poems, 191 pages. Kentucky...The Mountains I Call Home is a heart-warming collection of reflective poetry and short stories inspired by events, places, people, family and southern living. Joyce's memoirs and her love for the mountains take the reader on a timeless journey through the mountains of Kentucky and provide an opportunity to experience heartache, love, and joy through the southern Appalachian culture that will forever impact one's life.

Demonstrates how to teach phonics, phonemic awareness, spelling, writing, language arts, reading strategies, engaging activities, comprehension strategies, vocabulary, fluency, differentiation, and assessment. The importance of reflecting, planning, and building classroom rapport are also covered.