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Chris Offutt is an outstanding literary talent, whose work has been called "lean and brilliant" (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He's been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark is a taut, compelling novel set in rural Kentucky from the Korean War to 1970. Tucker, a young veteran, returns from war to work for a bootlegger. He falls in love and starts a family, and while the Tuckers don't have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we've been missing for years. First published in 2018.

Beginning in the Appalachian hills -- the literary territory Chris Offutt first made his own in Kentucky Straight -- The Good Brother is the story of Virgil Caudill, a Kentucky boy who's always been content to leave the hell-raising to his oldest brother, Boyd. But when Boyd is killed, everyone knows who did it, and Virgil is forced to choose between upholding the unwritten code of the Kentucky hills or betraying his own sense of right and wrong. His fateful choices send him fleeing west with a new name and identity. In Montana, he finds the love, purpose, and community that he was forced to abandon, but the nightmare world of extremist militia groups and his own haunted past bring his new life to a crashing halt. First published in 1997.

Seven years ago, Chris Offutt made his literary debut with Kentucky Straight, a fiercely original collection that earned him not only critical praise but many prestigious awards. The eight new stories in Out of the Woods mark Offutt's return to the form in which he first displayed his astonishing talent. Offutt, who "draws landscape and constructs dialogue with the eyes and ears of a native son" (The Miami Herald), is on strong home turf here, capturing those who have left the Kentucky hills and long to return. These are stories of gravediggers and drifters, gamblers and truck drivers a long way from home, tales that are so full of hard edges they can't help but tell some hard truths. First published in 1999.

Kentucky straight is bourbon with no mixer. Kentucky Straight is Kentucky seen without nostalgic gloss. These riveting, often heartbreaking stories, take us through country that is unmapped. They are set in a nameless Appalachian community too small to be called a town, a place where wanting an education is a mark of ungodly arrogance and dowsing for water a legitimate occupation; where hunting is not a sport but a means of survival. These are stories of coal miners and backwoods medicine men, of gamblers and marijuana farmers, tales of real tragedy and unutterable strangeness that convey their sense of place so vividly that we feel its ground rise beneath our feet. Offutt has received a James Michener Grant and a Kentucky Arts Council Award.

Publisher's Weekly Best Book of the Year. "Chris Offutt owns one of the finest, surest prose styles around, ready and able to convey the hardest truth without flinching. Now Offutt enters the darkest and most mysterious of places--the cave of a monstrous enigma named Andrew J. Offutt--armed with nothing but his own restless curiosity. Spoiler alert: He makes it out alive, walking into the daylight to bring us a deeper, funnier, more tender and more heartbroken truth--and his masterpiece." --Michael Chabon When Andrew Offutt died, his son, Chris, inherited a desk, a rifle, and eighteen hundred pounds of pornographic fiction. Andrew had been considered the "king of twentieth-century smut," with a writing career that began as a strategy to pay for his son's orthodontic needs and soon took on a life of its own, peaking during the 1970s when the commercial popularity of the erotic novel reached its height. With his dutiful wife serving as typist, Andrew wrote from their home in the Kentucky hills, locked away in an office no one dared intrude upon. In this fashion he wrote more than four hundred novels, including pirate porn, ghost porn, zombie porn, and secret agent porn. The more he wrote, the more intense his ambition became and the more difficult it was for his children to be part of his world. Over the long summer of 2013, Chris returned to his hometown to help his widowed mother move out of his childhood home. As he began to examine his father's manuscripts and memorabilia, journals, and letters, he realized he finally had an opportunity to gain insight into the difficult, mercurial, sometimes cruel man he'd loved and feared in equal measure. Only in his father's absence could he truly make sense of the man and his legacy. In My Father, the Pornographer, Offutt takes us on the journey with him, reading his father's prodigious literary output as both a critic and as a son seeking answers. This is a book about the life of a working writer who supports his family solely by the output of his typewriter; it's about the awful psychic burdens one generation unthinkingly passes along to the next; and it's about growing up in the Appalachian hills with a pack of fearless boys riding bicycles through the woods, happy and free.

In his fortieth year, Chris Offutt returns to his alma mater, Morehead State University, the only four-year school in the Kentucky hills. He envisions leading the modest life of a teacher and father. Yet present-day reality collides painfully with memory, leaving Offutt in the midst of an adventure he never imagined: the search for a home that no longer exists. Interwoven with this bittersweet homecoming tale are the wartime stories of Offutt's parents-in-law, Arthur and Irene. An unlikely friendship develops between the eighty-year-old Polish Jew and the forty-year-old Kentucky hillbilly as Arthur and Offutt share comfort in exile, reliving the past at a distance. With masterful prose, Offutt combines these disparate accounts to create No Heroes, a profound meditation on family, home, the Holocaust, and history. First published in 2002.

At the age of nineteen, Chris Offutt had already been rejected by the army, the Peace Corps, the park rangers, and the police. So he left his home in the Kentucky Appalachians and thumbed his way north -- into a series of odd jobs and even stranger encounters with his fellow Americans. Fifteen years later, Offutt finds himself in a place he never thought he'd be: settled down with a pregnant wife. Writing from the banks of the Iowa River, where he came to rest, he intersperses the story of his youthful journeys with that of his journey to fatherhood in a memoir that is uniquely candid, occasionally brutal, and often wonderfully funny. As he reckons with the comforts and terrors of maturity, Offutt also discovers what is best in life and in himself. First published in 1993.

With an introduction by Wade Hall, Morris Grubbs has sifted through vintage classics, little-known gems, and stunning debuts to assemble this collection of forty stories by popular and critically acclaimed writers. In subtle and profound ways they challenge and overturn accepted stereotypes about the land their authors call home, whether by birth or by choice. Kentucky writers have produced some of the finest short stories published in the last fifty years, much of which focuses on the tension between the comforts of community and the siren-like lure of the outside world. Arranged chronologically, from Robert Penn Warren's "Blackberry Winter" to Crystal E. Wilkinson's "Humming Back Yesterday," these stories are linked by their juxtaposition of departures and returns, the familiar and the unknown, home and beyond. Contributors: Robert Penn Warren, Caroline Gordon, James Still, Jane Mayhall, Elizabeth Hardwick, Dean Cadle, Jesse Stuart, Billy C. Clark, Janice Holt Giles, A.B. Guthrie, Jr., Hollis Summers, Ed McClanahan, Sallie Bingham, Robert Hazel, Jack Cady, Jim Wayne Miller, David Madden, Gayl Jones, Jane Stuart, Gurney Norman, Walter Tevis, Bobbie Ann Mason, Joe Ashby Porter, Leon V. Driskell, Mary Ann Taylor-Hall, Richard Cortez Day, Sena Jeter Naslund, Pat Carr, Wendell Berry, James Baker Hall, Lisa Koger, Barbara Kingsolver, Normandi Ellis, Guy Davenport, Kim Edwards, Chris Holbrook, Paul Griner, Chris Offutt, Dwight Allen, Crystal E. Wilkinson. Edited by Morris Allen Grubbs; with an introduction by Wade Hall and an afterword by Charles E. May.

Here is a one-of-a-kind collection by famous authors writing anonymously and dangerously. With the usual concerns about reputation and renown cast aside, each of these 12 daredevils has contributed an extreme, no-holds-barred unsigned story. A collection of 12 stories written by famous authors writing anonymously. The authors are Aimee Bender, Benjamin Cheever, Michael Connelly, Sebastian Junger, Elizabeth McCracken, Rosie O'Donnell, Chris Offutt, Anna Quindlen, John Burnham Schwartz, Alice Sebold, Lauren Slater, and Marc Parent.

Contents: The Escapist & The Spirit / story and art, Will Eisner -- Liberators / story and art, Howard Chaykin -- A fair to remember / story, Daniel Best ; art, Eddie Campbell -- The EscapeNot / story and art, Paul Hornschemeier -- Electricity / story, Steven Grant ; art, Norm Breyfogle --The "Escapist" / story and art, Jason -- Another man's escape / story, Chris Offutt ; art, Thomas Yeates.

Featuring Work By: Dickey Betts, Sherman Alexie, Willy Vlautin, Vicki Hendricks, Chris Hedges, Chris Offutt, Jason Isbell, Daniel Woodrell, Patrick Michael Finn, Joseph D. Haske, Steven Huff, Eric Miles Williamson, Ron Cooper, Esther G. Belin, Michael Gills, Larry Foundation and Mark Turcotte. Stray Dogs is a collection of writers, poets and songwriters who write about the America that does not exist in the glossy magazines, the Hollywood blockbuster or the corporate novel. These are highway songs and gutter poems, whiskey-soaked and sun scorched stories for the forgotten and lost. This is the other side of the electric American night.

Originally broadcast on HBO television during the 2008 season. Chris Offutt: executive story editor for all 12 episodes. Writer for 2 episodes: "Burning House of Love" (Episode 7) and "I Don't Wanna Know" (Episode 10).

Originally broadcast on Showtime as individual episodes during the 2009 season. Chris Offutt: co-producer for all 13 episodes; writer for "A Distinctive Horn" (Episode 8).

Originally broadcast in 2012 on HBO. Chris Offutt: writer for 1 episode: "Careless Love" (Disc 3).

Videocassette of the book club discussion of Chris Offutt's The same river twice, which aired on KET in December 1999 on the program Bookclub@ket. Approximately 27 minutes.

Cassette recording, approx. 29 minutes. Interview and literary reading originally broadcast on the radio program New letters on the air.

Master's thesis from Appalachia State University.

The Pleasure of Influence is a collection of conversations with eleven of the most important male fiction writers in America today. In this collection, Pulitzer Prize winner Robert Olen Butler; National Book Award winner Charles Johnson; National Book Award nominees Thom Jones, Barry Hannah, and Stephen Dixon; as well as Russell Banks, Rick Moody, Chris Offutt, Stewart O'Nan, Steve Erickson, and Gordon Lish candidly discuss the origin, process, and achievement of their own fiction in a manner that should appeal to readers, writers, and scholars of modern American fiction.

First published in 1996. Kentucky and Kentuckians are full of stories, which may be why so many present-day writers have Kentucky roots. Whether they left and returned, like Wendell Berry and Bobbie Ann Mason, or adopted Kentucky as home, like James Still and Jim Wayne Miller, or grew up and left for good, like Michael Dorris and Barbara Kingsolver, they have one connection: Kentucky has influenced their writing and their lives. L. Elisabeth Beattie explores this influence in twenty intimate interviews. Conversations with Kentucky Writers was more than three years in the making, as Beattie traveled across the state and beyond to capture oral histories on tape. Her exhaustive knowledge of these authors helped her draw out personal revelations about their work, their lives, and the nature of writing. When Still concludes his interview with "I believe I've told you more than anybody," he could be speaking for any of Beattie's subjects. Aspiring writers will learn that Mason submitted twenty stories to the New Yorker before one was accepted, and that Still wrote articles for Sunday school magazines. There's plenty of advice: Dorris tells budding authors to get real jobs, keep journals, and read everything, even cereal boxes, and Marsha Norman reminds playwrights that "it is not the business of the theater to provide writers with a living." Kingsolver advises, "Read good stuff and write bad stuff until eventually what you're writing begins to approximate what you're reading." Beattie's collection includes striking self-portraits of such writers as Sue Grafton, Leon Driskell, James Baker Hall, Fenton Johnson, George Ella Lyon, Taylor McCafferty, Ed McClanahan, Sena Naslund, Chris Offutt, Lee Pennington, and Betty Layman Receveur.What most distinguishes these moving conversations from other author interviews is their focus on creativity, on the teaching of writing, and on the authors' strong sense of place.As Wade Hall writes in his foreword, all twenty writers recognize that their works have been significantly influenced by their "Kentucky experience." This collection offers insights into Kentucky's rich and flowering literary heritage.

Eighteenth-century Kentucky beckoned to hunters, surveyors, and settlers from the mid-Atlantic coast colonies as a source of game, land, and new trade opportunities. Unfortunately, the Appalachian Mountains formed a daunting barrier that left only two primary roads to this fertile Eden. The steep grades and dense forests of the Cumberland Gap rendered the Wilderness Road impassable to wagons, and the northern route extending from southeastern Pennsylvania became the first main thoroughfare to the rugged West, winding along the Ohio River and linking Maysville to Lexington in the heart of the Bluegrass. Kentucky's Frontier Highway reveals the astounding history of the Maysville Road, a route that served as a theater of local settlement, an engine of economic development, a symbol of the national political process, and an essential part of the Underground Railroad. Authors Karl Raitz and Nancy O'Malley chart its transformation from an ancient footpath used by Native Americans and early settlers to a central highway, examining the effect that its development had on the evolution of transportation technology as well as the usage and abandonment of other thoroughfares, and illustrating how this historic road shaped the wider American landscape.

Throughout the Revolutionary War, Fort Boonesborough was one of the most important and defensively crucial sites on the western frontier. It served not only as a stronghold against the British but also as a sanctuary, land office, and a potential seat of government. Originally meant to be the capital of a new American colony, Fort Boonesborough was thrust into a defensive role by the onset of the Revolutionary War. Post-Revolutionary attempts to develop a town failed and the site was abandoned. Yet Fort Boonesborough lived on in local memory. Boonesborough Unearthed: Frontier Archaeology at a Revolutionary Fort is the result of more than thirty years of research by archaeologist Nancy O'Malley. This groundbreaking book presents new information and fresh insights about Fort Boonesborough and life in frontier Kentucky. O'Malley examines the story of this historical landmark from its founding during a time of war into the nineteenth century. O'Malley also delves into the lives of the settlers who lived there, and explores the Transylvania Company's dashed hopes of forming a fourteenth colony at the fort. This insightful and informative work is a fascinating exploration into Kentucky's frontier past.

Archaeological Report, volume 78.

Archaeological Report, volume 200.

Archaeological Report, no. 75

Archeological Survey Report, volume 20. By Warren M. Lynn, Daniel E. Fox, and Nancy O'Malley ; with appendix by Marshall C. Johnston and Deborah J. Darr. ; principal investigator, Robert J. Mallouf ; edited by Kathy Freydenfeldt, Nancy Brite Smith, and Curtis Tunnell.

Archaeological Report, volume 366.

Archaeological Report, volume 367.

Map. Relief shown by shading. Includes text describing the area geography and geology, map of Kentucky geographic-geologic regions, 4 insets, and location map. Text, col. ill., and 5 maps on verso. "Funded in part by a grant from the Kentucky Transportation Cabinet."

Archaeological Report, volume 377.

Archaeological Report, volume 162.

145 pages; illustrations; maps. By Nancy O'Malley; with contributions by Jean Calvert, Molly Kendall, Alice Shaw.

Occasional papers in anthropology (University of Kentucky. Department of Anthropology), no. 4.

Archaeological Report, volume 193.

Archaeological Report, volume 127.